Work

Work

Hustle, punkness and a deliciously dysfunctional family at the heart of SBS’s new crime drama Swift Street, created by Tig Terera, produced by Lois Randall and Ivy Mak at Magpie Pictures. Series music by Maria Alfonsine and Damian de Boos-Smith.

OFFICIAL SELECTION 2024
Swift Street is one of eight series selected worldwide in the Canneseries Official Selection in the Short Form Competition. The series will have its world premiere screening in Cannes in April 2024 and is out on SBS Australia / SBS On Demand shortly after.

Note from the artistic direction: “An explosive mix between a thriller, a comedy and an intimate portrait, Swift Street blows everything away with its dazzling energy.”

Music Directing and Performing in cabaret show SEND FOR NELLIE about the legendary jazz and blues singer Nellie Small, at the Merrigong Theatre in Wollongong. Starring Elenoa Rokobaro and Eleanor Stankiewicz, with band. Directed by Liesel Badorrek. Written by Alana Valentine with co-curation by Kween G. Produced by Sue Donnelly & Stuart Davis.

| CBS | Paramount+ | Network 10 | A contemporisation of the classic NCIS Title Theme for NCIS: SYDNEY by MADBS Composing Palace. Series created by Morgan O’Neill. Series music by Roger Mason.

Music from Sydney Theatre Company's production ‘The Lifespan of a Fact’
Music and Sound Design by Maria Alfonsine

Violin - Ben Adler
Double Bass - Lauren White
Cello and Drums - Damian de Boos-Smith
Clarinet and Tenor Saxophone - Maria Alfonsine

Play by Jeremy Kareken & David Murrell
and Gordon Farrell
Directed by Paige Rattray
Photos by Prudence Upton

Roslyn Packer Theatre, 2022. Recorded and Mixed at MADBS Composing Palace.

ABS TV Series Wakefield. Trailer music by Maria Alfonsine. Series music by Caitlin Yeo and Maria Alfonsine, featuring Damian de Boos-Smith and Rucha Lange. Produced by Jungle Entertainment, ABC and BBC Studios. Sold to Showtime USA.

Alphabetical Sydney: All Aboard! Family musical by Hilary Bell, Greta Gertler Gold and Antonia Pesenti. At Riverside Theatres 2022 and Sydney Opera House 2023. Musical director and performer. Photos by Robert catto.

Documentary by Mihaal Danziger. Score by Maria Alfonsine and Damian de Boos-Smith.

Conducting Beatles Orchestrated at the Palais Theatre in Melbourne, Metropolis Touring, 2021.

Composed by Maria Alfonsine & Damian de Boos-Smith. Vocals performed by Victor Valdes.
For Rumbles Studios.

Songs and lead vocal by Keppie Coutts. Book by Ceridwen Dovey and Eliza Bell. Arranged, performed, recorded, mixed and mastered by MADBS Composing Palace. Published by Penguin.

Composed by Maria Alfonsine & Damian de Boos-Smith.

Composed by Maria Alfonsine & Damian de Boos-Smith.

Composed by Maria Alfonsine & Damian de Boos-Smith.
For Scoundrel, dir Tim Bullock.

Composed by Maria Alfonsine & Damian de Boos-Smith

movement performance piece BABELISM: LOVE & MEMORY explores how love has impacted your self worth and what memory you retain from past experiences that affect your 'now' state of being. Devised with Sarah Vickery and Mathias Olofsson. Metanoia Theatre 2016.

Written for ABC TV Series Pulse, dir Ana Kokkinos. Vocals performed by Arthur Washington.

Take Two: A Comedy of Errors by Hilary Bell, dir. Stefo Nantsou, actors Lindy Sardelic, Gabriel Fancourt, Mansoor Noor, Bilal Hafda, Libby Asciak, set design Imogen Ross, Riverside Theatres 2019.

For Triangle Screen Music / Hyperactive Music.

For Triangle Screen Music / Hyperactive Music.

Amazon “Trombone Free Delivery
Composed with Damian de Boos-Smith. For The Monkeys.

Mens Rea

by Raghav Handa

Swinging Safari

by Stephan Elliott

Music Editor on Stephan Elliott ‘Swinging Safari”. Score by Guy Gross.

Without Consent

by Diane Busuttil

The great end-credits song by Maria Alfonsine is also a bittersweet gem in the film’s crown” UK Film Review

The Hypochondriac poster.jpg

Songs by Phillip Johnston, sound design and incidental music by Maria Alfonsine.

CHIKAS. High achieving Aussie Asian Queer Sydneysiders Jazz and Alex eject themselves from the corporate jungle to pursue their creative freedom. However, when they come out tho their very traditional families as ‘dirty creatives’, they find themselves bearing the weight of a Chinese mother’s guilt. Created by Genevieve Craig, 2018.

Maya.

by Anagha Unni

"The musical score underpinning the performance, by Maria Alfonsine, is more than apt and in its own way contributes to the humour of the exercise.”

— Kevin Jackson's Theatre Diary